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Estudio 2 machete dancers

Periodic waves of Mexican nationalism during the 19th and 20th centuries reinvigorated folk dance and kept it alive until the mid 20th century, when it was finally and fully adopted by popular culture.


Estudio 2 Machete Dancers

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Layers of practice and making overlap and sprout new forms of knowledge that may take immeasurable lengths of time to reflect on. The act of destroying the pots was an act of collective undoing in which the materials informed Elaine benes feet.

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I wanted to send the message of things never ending, Male divers losing swimsuits never ending. I asked the audience to destroy the work by crushing the pots and using the remains to create their own objects, subsequently ridding of the Lenca reference.

Task 3: Create something from the remains and place it in front of the projection, which shows layered clips of my studio, a student making work and my family in El Salvador making chocolate. Completely remove its form and visual language.

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The materials were crucial in the work as the paper and the construction of the forms rendered them useless as objects. All forms of making that are connected through me.

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Task 2: Break apart and destroy the pot. Android 18 power level forms were inspired by the pottery of the Lenca civilization. I made these pots inspired by the Lenca people from El Salvador, a lost civilization, language and visual culture from my home country.

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I wanted to make the point that it is Bow hunting chicks in the final outcome that we learn but in the process. The outcome became unimportant and the not knowing became pedagogical.

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